The action involved transformation into the role of a beggar-artist standing in front of the entrances to galleries, museums and other institutions of cultural industry as well as in other sceneries with some artistic flow.

On one side, the action was targeted to treating the recipient with disarming sense of sincerity, showing the existential situation of artists. On the other hand – an attempt to parasite on the sensitivity of the viewer passing by the artist, who is in a deep, multifaceted “hole”.